The Omnivore recommends…
Cosmo Landesman thought there might be a unlikely frontrunner for the TS Eliot prize next year.
For all its cinematic stylisation, it’s rooted in realism and has to obey its rules. Yet Spielberg’s Joey is so incredibly human, it’s amazing he doesn’t pen a series of antiwar poems and become the Siegfried Sassoon of the equestrian set.
Read all reviews for Spielberg’s WARHORSE.